Noriko Ogawa
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In this utterly delightful disc [Ogawa] manages to convey not only Satie’s quirkiness, but his honesty…Ogawa does use the sustaining pedal, but sparingly. She also, as we know, has a fine technique... —
Awards:
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Presto Recording of the Week, 1st July 2016
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Presto Recordings of the Year, Finalist 2016
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The four canonical pieces need no puffs from me and, like everything else on the disc, are played superbly...Ogawa is both self-effacing when required, and unfailingly prompt and sympathetic... —
Awards:
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Presto Editor's Choice, May 2021
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Gramophone Magazine, September 2021, Editor's Choice
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6 CDs
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Ogawa delights in exploring the ambiguity of this score devoid of dynamic and articulation markings, varying touch and mood, from smoothly reflective to spiky or rambunctious. This is an absorbing... —
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Awards:
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International Classical Music Awards, 2025, Nominated - Assorted Programs
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Vagn Holmboe - Concertos
Noriko Ogawa (piano), Martin Fröst (clarinet), Gordon Hunt (oboe)
Danish National Opera Choir, Aalborg Symphony Orchestra, Owain Arwel Hughes
A word about nomenclature. Holmboe composed 13 chamber concertos between 1939 and 1956 as a series with small-orchestral accompaniment, similar but not so homogeneous a set as Hindemith's Kammermusiken.... —
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Satie Vol. 4: relâche/Cinéma
Noriko Ogawa plays Erik Satie on an 1890 Erard Piano
Noriko Ogawa (piano)
