René Jacobs
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Mozart: Le nozze di Figaro, K492
RecommendedSimon Keenlyside (Count), Véronique Gens (Countess), Patrizia Ciofi (Susanna), Lorenzo Regazzo (Figaro), Angelika Kirchschlager (Cherubino), Marie McLaughlin (Marcellina)
Collegium Vocale Gent, Concerto Köln, René Jacobs
René Jacobs always brings new ideas to the operas he conducts, and even to a work as familiar as Figaro he adds something of his own. First of all he offers an orchestral balance quite unlike... —
Awards:
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Gramophone Magazine, May 2004, Editor's Choice
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Gramophone Awards, 2004, Recording of the Year
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Gramophone Awards, 2004, Winner - Opera
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Grammy Awards, 47th Awards (2004), Best Opera Recording
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Building A Library, April 2022, Recommended Recording
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Mozart: Die Zauberflöte, K620
RecommendedDaniel Behle (Tamino), Marlis Petersen (Pamina), Daniel Schmutzhard (Papageno), Sunhae Im (Papagena), Anna-Kristiina Kaappola (Königin der Nacht), Marcos Fink (Sarastro), Kurt Azesberger (Monostatos)
Akademie für Alte Musik Berlin, René Jacobs
...this is a total experience, perfectly tailored for private listening. René Jacobs thinks of it as a Hörspiel: it's a play to be heard - I don't know a recorded Zauberflöte more thrillingly... —
Awards:
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Presto Recording of the Week, 13th September 2010
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Sunday Times, 2010, Albums of the Year
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Gramophone Awards, 2011, Finalist - Opera
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BBC Music Magazine, November 2010, Opera Choice
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Record Review, December 2010, Critics' Disc of the Year
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Gramophone Magazine, Awards Issue 2010, Editor's Choice
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BBC Music Magazine Awards, 2011, Opera Award Winner
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Building a Library, November 2020, Recommended Recording
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Beethoven: Leonore
RecommendedMarlis Petersen (Leonore), Maximilian Schmitt (Florestan), Dimitry Ivashchenko (Rocco), Johannes Weisser (Pizarro), Robin Johannsen (Marzelline), Johannes Chum (Jaqino), Tareq Nazmi (Don Fernando), Florian Feth, Julian Popken (Two Prisoners)
Freiburger Barockorchester, René Jacobs
Of the principals only Johannes Weisser’s Don Pizarro disappoints, and even he is strong in the dialogue. Jacobs’s tempos are fast – sometimes a bit skittishly so – and the sublimity one looks... —
Awards:
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Presto Recordings of the Year, Finalist 2019
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Record Review, 7th December 2019, Record of the Week
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Presto Recording of the Week, 6th December 2019
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International Opera Awards, 2020, Nominated - Complete Opera Recording
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Opera, March 2020, Disc of the Month
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year (Petersen)
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Handel: Saul
Rosemary Joshua, Emma Bell, Lawrence Zazzo, Jeremy Ovenden, Gidon Saks, Michael Slattery, Finnur Bjarnason & Henry Waddington
RIAS-Kammerchor & Concerto Köln, René Jacobs
Emma Bell is turning out to be a fine Handel singer of considerable power… and her Merab - sometimes haughty, sometimes indignant - affords effective contrast with the fresh and sensuous contours... —
Awards:
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Gramophone Awards, 2006, Finalist
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BBC Music Magazine, October 2005, Disc of the month
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Gramophone Magazine, November 2005, Editor's Choice
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Che puro ciel
The Rise of Classical Opera
Bejun Mehta (counter-tenor)
Akademie für Alte Musik Berlin, René Jacobs
Jacobs and Bejun Mehta unleash the primal energies buried in magnificent yet largely forgotten operas...Jacobs's abrupt tempo twists, the instrumentalists' boldness and the chorus's power make... —
Awards:
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BBC Music Magazine, February 2014, Opera Choice
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Gramophone Magazine, February 2014, Editor's Choice
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Gramophone Awards, 2014, Finalist - Recital
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Mozart: Requiem in D minor, K626
RecommendedSophie Karthäuser (soprano), Marie-Claude Chappuis (mezzo), Maximilian Schmitt (tenor, Johannes Weisser (baritone)
Freiburger Barockorchester, RIAS Kammerchor, René Jacobs
Choir members are the virtuosos here. Their flexibility enables them to enrich or bleach vocal colour, and flood or dry up volume levels, to the subtlest degree. Jacobs plays the choir like... —
Awards:
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Presto Recording of the Week, 3rd November 2017
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Presto Recordings of the Year, Finalist 2017
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BBC Music Magazine, January 2018, Choral & Song Choice
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Bach, J S: St John Passion, BWV245
RecommendedWerner Güra (Evangelist), Johannes Weisser (bass arias/Christus), Andrew Redmon (Petrus), Johannes Schendel (Pilatus), Sunhae Im (soprano arias), Benno Schachtner (alto arias), Sebastian Kohlhepp (tenor arias), Fabienne Weiss (Ancilla), Minsub Hong (Servus)
Akademie fur Alte Musik Berlin, RIAS...
Clarity of sound and purpose distinguish [this] recording…woodwind are placed in front of the strings, allowing for exceptional detail in the turba choruses [while] the soloists sing throughout,... —
Awards:
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Presto Recording of the Week, 25th March 2016
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Presto Recordings of the Year, Finalist 2016
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International Classical Music Awards, 2017, Winner - Baroque Vocal
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Mozart: La clemenza di Tito, K621
RecommendedMark Padmore (Tito), Alexandrina Pendatchanska (Vitellia), Bernarda Fink (Sesto), Marie-Claude Chappuis (Annio), Sunhae Im (Servilia) & Sergio Foresti (Publio)
RIAS Kammerchor & Freiburger Barockorchester, René Jacobs
A high-voltage performance with vivid characterisations —
Awards:
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Building a Library, September 2006, First Choice
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Record Review, December 2006, Critics Disc of the Year
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Handel: Orlando
RecommendedBejun Mehta (Orlando), Sophie Karthäuser (Angelica), Kristina Hammarström (Medoro), Sunhae Im (Dorinda), Konstantin Wolff (Zoroastro)
B'Rock Orchestra, René Jacobs
Mehta brings lively characterisation to the mythical hero's subtle duality. I the uppermost notes of his vocal range sound a little pinched, there is ample compensation in bravura passagework...Im... —
Awards:
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Building a Library, September 2014, First Choice
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