Ophelie Gaillard
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A Night in London
Ophelie Gaillard (cello), Pulcinella Orchestra, Sandrine Piau (soprano), Gabriel Pidoux, Lucile Richardot (mezzo-soprano)
Among the disc’s many highlights are the virtuoso cello concertos by Cirri and Porpora which showcase Gaillard’s athletic technique as well as her extraordinary ability to make the cello sing. —
Awards:
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Presto Editor's Choice, March 2022
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BBC Music Magazine Awards, 2023, Nominated - Concerto
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Opus Klassik Awards, 2023, Nominated - Solo Instrumental
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This terrific sequel to A Night in London is every bit as varied and vivid as its predecessor, presenting a compelling portrait of Baroque Naples in all its eclectic glory: stomping tarantellas... —
Awards:
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Presto Editor's Choice, October 2023
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Ophélie Gaillard: Exiles
Ophélie Gaillard (cello)
Sirba Octet Members, Orchestre Philharmonique Monte-Carlo, James Judd
Gaillard’s glorious cello playing keeps the emotion raw and immediate throughout the programme, grabbing us by the scruff of the neck with a red-hot interpretation of Schelomo. Her tone is vivid,... —
Awards:
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Presto Editor's Choice, May 2017
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Gailliard brings a joyous and incisively idiomatic grace to these performances. What she may lack in the absolute fluency and charisma of Christophe Coin is more than made up for in this exciting... —
Awards:
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BBC Music Magazine, May 2020, Concerto Choice
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the group's well-nigh impeccable ensemble and palpable enthusiasm make it an ideal vehicle for CPE Bach at his most stormy and passionate. In the concertos, the energy is lightly handled, Gaillard... —
Awards:
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Diapason d’Or de l’Année, 2014, Winner - Musique baroque instrumentale
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Je n'aime pas Berlioz, mais ça j'aime bien !
Susan Graham (soprano), Royal Opera House Orchestra, Choeur Arsys Bourgogne, Ophelie Gaillard (cello), Daniel Ciampolini (percussion), Bruno Rastier (chorus master), Bruno Fontaine (piano), Nicolas Bartholomée (art director), Orchestre de Paris, John Oliver (chorus master), Boston Symphony Orchestra,...
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By her own admission, Gaillard takes liberties in her realisation of this repertory, some of which perhaps are more successful than others…[She] comes into her own in the two concertos and sonata,... —
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Purchase product
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Purchase product
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