Natalie Dessay
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Special offer. Arias by Gounod and Massenet
RecommendedRolando Villazon (tenor), Natalie Dessay
Orchestre Philharmonique de Radio France, Evelino Pido
This is mostly well-planned and executed recital mixes favourites with extracts from operas that have remained rarities, even with the increased interest in late 19th-century repertory. It begins... —
Awards:
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Gramophone Magazine, May 2005, Editor's Choice
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Gramophone Awards, 2005, Winner - Recital
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Special offer. Handel: Il Trionfo del Tempo e del Disinganno, HWV46a
RecommendedNatalie Dessay (Bellezza), Ann Hallenberg (Piacere), Sonia Prina (Disinganno), Pavol Breslik (Tempo)
Le Concert d’Astrée, Emmanuelle Haïm
Beauty's final aria (sung by Natalie Dessay) is unconventionally slow and intensely moving, accompanied by obbligato violin possibly intended for Corelli who may have led the first performance.... —
Awards:
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BBC Music Magazine, May 2007, Disc of the month
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BBC Music Magazine Awards, 2008, Opera Award Winner
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Donizetti: La Fille du Régiment
RecommendedNatalie Dessay (Marie), Juan Diego Flórez (Tonio), Felicity Palmer (La Marquise de Birkenfeld), Alessandro Corbelli (Sulpice), Donald Maxwell (Hortensius), Dawn French (La Duchesse de Crackentorp)
Orchestra & Chorus of the Royal Opera House, Covent Garden, Bruno Campanella
Laurent Pelly's production of Donizetti's opéra comique was one of the highlights of the Royal Opera's 2006-7 season, and viewing this well-produced DVD of the show it's perfectly obvious why.... —
Awards:
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Gramophone Awards, 2008, Finalist - DVD
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BBC Music Magazine, June 2008, DVD Choice
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Penguin Guide, Rosette
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BBC Music Magazine Awards, 2009, DVD of the Year
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Special offer. Delibes: Lakmé
Natalie Dessay (Lakmé), Gregory Kunde (Gérald), José van Dam (Nilakantha), Delphine Haida (Mallika), Franck Leguérinel (Frederic), Patricia Petibon (Ellen), Xenia Konsek (Rose), Orchestre Du Capitole De Toulouse, Michel Plasson
Opera audiences in 19th-century Paris may never have visited India, but they loved to dream about it. After the successes enjoyed by Lespêcheurs de perles and Le roi de Lahore Delibes knew what... —
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Wagner: Scenes from the Ring
Placido Domingo (tenor), David Cangelosi (Mime), Natalie Dessay (Waldvogel), Violeta Urmana (Brünnhilde)
Orchestra of the Royal Opera House, Antonio Pappano
Awards:
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Gramophone Magazine, June 2002, Editor's Choice
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Special offer. Monteverdi: L'Orfeo
Ian Bostridge, Natalie Dessay, Patrizia Ciofi, Alice Coote, Sonia Prina, Mario Luperi, Véronique Gens, Lorenzo Regazzo, Christopher Maltman, Paul Agnew, Pascal Bertin, Richard Burkhard, Carolyn Sampson
Concert d'Astrée, Emmanuelle Haïm
Haïm's terrific dramatic pace enables normally rather static moments to sparkle with purpose and intensity. —
Awards:
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Gramophone Magazine, May 2004, Editor's Choice
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Debussy: The Complete Works
Artists include Martha Argerich, Pierre-Laurent Aimard, Samson François, Renaud Capuçon, Natalie Dessay, André Cluytens, François-Xavier Roth, Jean Martinon, Michel Plasson, Kent Nagano and Carlo Maria Giulini
Exhaustive, the sum of the crème de la crème of the discography...THE Debussy box set to have…No richer panorama exists for the melodies (the complete EMI recordings alongside never-before-released... —
Awards:
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Diapason d’Or de l’Année, 2018, Winner - Archive
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Special offer. Natalie Dessay - Italian Opera Arias (Standard Version)
Natalie Dessay (Soprano), Sascha Reckert (glass harmonica), Karine Deshayes (Anna), Franck Ferrari (Enrico), Matthew Rose (Raimondo) & Wolfgang Klose (Normanno), Franck Ferrari (Riccardo) & Matthew Rose (Giorgio)
Concerto Köln & Europäischer Kammerchor, Evelino Pidò
Violetta's aria at the end of Act I of La traviata demands the impossible. A lyric voice for 'Ah forse è lui' and then weight and depth and cascading coloratura in 'Sempre libera'. Natalie... —
Awards:
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BBC Music Magazine, February 2008, Opera Choice
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Special offer. Mozart Heroines
Operatic arias
Natalie Dessay (soprano)
Orchestra of the Age of Enlightenment, Louis Langrée
A stupendous showcase for Dessay's chameleon qualities, there are few better examples of vocal dexterity allied to dramatic commitment. —
Awards:
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Gramophone Magazine, March 2001, Editor's Choice
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Awards:
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International Classical Music Awards, 2022, Nominated - Assorted Programs
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