Chicago Symphony Orchestra
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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'
RecommendedHeather Harper, Lucia Popp, Arleen Auger (sopranos), Yvonne Minton (mezzo), Helen Watts (contralto), Rene Kollo (tenor), John Shirley-Quirk (baritone), Martti Talvela (bass)
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Staatsopernchor, Sir Georg Solti
Awards:
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Grammy Awards, 15th Awards (1972), Best Choral Performance
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Grammy Awards, 15th Awards (1972), Classical Album of the Year
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Richard Strauss - The Great Tone Poems
RecommendedVienna Philharmonic Orchestra, Georg Solti, Chicago Symphony Orchestra, Bavarian Radio Symphony Orchestra
Awards:
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Grammy Awards, 19th Awards (1976), Best Orchestral Performance
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Building a Library, October 2019, Also Recommended
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Building A Library, November 2021, Also Recommended - Eine Alpensinfonie
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Bartók: The Piano Concertos
RecommendedKrystian Zimerman (piano), Leif Ove Andsnes (piano), Hélène Grimaud (piano)
Chicago Symphony Orchestra, Berliner Philharmoniker, London Symphony Orchestra, Pierre Boulez
Boulez is arguably the most influential figure in the world of music today —
Awards:
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Gramophone Magazine, April 2005, Editor's Choice
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Gramophone Awards, 2005, Winner - Concerto
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Building a Library, February 2020, Also Recommended
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Fritz Reiner conducts Rimsky Korsakov & Stravinsky
RecommendedChicago Symphony Orchestra, Fritz Reiner
Reiner's magnificent (1956) Scheherazade stands out among the many superb RCA recordings made in Chicago in the 1950s...Sidney Harth, the orchestral leader, naturally balanced, plays most seductively...The... —
Awards:
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Penguin Guide, Rosette
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Building A Library, October 2023, Also Recommended - Scheherazade
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Bartók - Piano Concertos Nos. 1 & 2
RecommendedMaurizio Pollini (piano), Shlomo Mintz (violin)
Chicago Symphony Orchestra, London Symphony Orchestra, Claudio Abbado
Bartók and Pollini were made for one another - the bite and energy and odd restraint of these masterworks is ideally caught. Mintz does full justice to the Two Portraits. —
Awards:
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Gramophone Awards, 1979, Winner - Concerto
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Grammy Awards, 22nd Awards (1979), Best Classical Instrumental Solo Recording
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Berlioz: Symphonie fantastique; Overture Les francs-juges
RecommendedChicago Symphony Chorus (chorus)
Sir Georg Solti
Awards:
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Grammy Awards, 17th Awards (1974), Best Engineered Album, Classical
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Grammy Awards, 17th Awards (1974), Best Orchestral Performance
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Grammy Awards, 17th Awards (1974), Classical Album of the Year
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Bartók: The Wooden Prince & Cantata Profana
RecommendedJohn Aler (tenor), John Tomlinson (baritone)
Chicago Symphony Orchestra, Chicago Symphony Chorus, Pierre Boulez
Awards:
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Grammy Awards, 36th Awards (1993), Best Choral Performance
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Grammy Awards, 36th Awards (1993), Best Engineered Album, Classical
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Grammy Awards, 36th Awards (1993), Best Orchestral Performance
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Grammy Awards, 36th Awards (1993), Classical Album of the Year
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Brahms: Violin Concerto in D major, Op. 77
RecommendedItzhak Perlman Vol. 33
Chicago Symphony Orchestra, Carlo Maria Giulini
Awards:
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Grammy Awards, 21st Awards (1978), Classical Album of the Year
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Wagner: Die Meistersinger von Nürnberg
RecommendedJosé van Dam (Hans Sachs), Ben Heppner (Walther von Stolzing), Karita Mattila (Eva), Alan Opie (Beckmesser), Iris Vermillion (Magdalena), Herbert Lippert (David), René Pape (Pogner), Albert Dohmen (Kothner), Kelly Anderson (Nachtwächter)
Chicago Symphony Orchestra, Sir Georg Solti
[Van Dam] fulfils expectations with a reading that is finely moulded from start to finish...Heppner seems to have benefited from his longer experience of his role...Throughout this is a portrayal... —
Awards:
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Grammy Awards, 40th Awards (1997), Best Opera Recording
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Awards:
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Grammy Awards, 26th Awards (1983), Best Engineered Album, Classical
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Grammy Awards, 26th Awards (1983), Best Orchestral Performance
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Grammy Awards, 26th Awards (1983), Classical Album of the Year
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