Bruckner Orchestra Linz
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Bruckner From the Archives, Vol. 1
Hans Weisbach, Bruckner Orchestra Linz, Wiener Symphoniker, Vienna Akademie Kammerchor, WDR Symphony Orchestra, Köln, Symphonie-Orchester des Bayerischen Rundfunks, Koeckert Quartet, Kurt Wöss, Han Weisbach, Henry Swoboda, Dean Dixon, Anton Bruckner, Eugen Jochum
This is the first of six two-disc volumes and if the following five hold to the high standards achieved here...there’ll be considerable cause for excitement among all dedicated Brucknerians. —
Awards:
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Gramophone Magazine, June 2024, Archive Issue of the Month
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International Classical Music Awards, 2025, Nominated - Historical
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Special offer. Isang Yun: Sunrise Falling
Matt Haimovitz (cello), Maki Namekawa (piano), Christoph Bielefeld (harp), Yumi Hwang-Williams (violin), Dennis Russell Davies (piano), Bruckner Orchestra Linz
Fanfare & Memorial (1979) is a turbulent orchestral piece, enclosing an undeclared harp concerto. Interludium A (1982), for piano, rivals Ravel’s Le Gibet in stressing a single note. —
Awards:
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The Times Records of the Year, 2018
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Fleet, idiomatic and clearsighted...I’m inclined to think it’s the finest performance of the score now available. —
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Bruckner: Symphony No. 4 in E Flat Major 'Romantic' - 1878-80 Version
Bruckner Orchester Linz, ORF Vienna Radio Symphony Orchestra, Markus Poschner
As with the previous releases in the series, Poschner’s tempos are well judged and his approach combines a feeling of line with attention to detail. —
Awards:
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Record Review, 7th May 2022, Record of the Week
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$20.25 -
It’s the first commercial recording [of the original Scherzo] and a must-hear for all Brucknerians. —
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Audio formats guide -
Mozart: Symphony Nos. 25 & 36 & Leopold Mozart: 'Lambacher' Symphony
Bruckner Orchester Linz, Martin Sieghart
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Audio formats guide -
Poschner generates plenty of drive and excitement, steering the music towards a thrilling conclusion, reining back persuasively before the final acceleration... This is a tight, driven account. —
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this performance is impeccable, in the safe hands of Markus Poschner, and I look forward to the continuation of the series. —
