Catherine Bott
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Treasures of Baroque Opera
RecommendedJanet Baker, Teresa Berganza, Catherine Bott, Luciano Pavarotti
Awards:
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Penguin Guide, Rosette
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Stradella: San Giovanni Battista
RecommendedCatherine Bott (soprano), Christine Batty (mezzo soprano), Gérard Lesne (alto), Richard Edgar-Wilson (bass)
Les Musiciens du Louvre, Marc Minkowski
Awards:
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Gramophone Awards, 1993, Winner - Baroque Vocal
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Penguin Guide, Rosette
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Audio formats guide -
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Delectatio angeli
Music of love, longing & lament
Catherine Bott (soprano), Pavlo Beznosiuk (fiddle), Mark Levy (fiddle)
These performances must rank amongst Bott's best (and that's saying something), her range sometimes impinging in pitch and timbre on alto/counter-tenor territory. Whatever the mood, and whether... —
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British Music Collection - Henry Purcell
Emma Kirkby, Catherine Bott, John Mark Ainsley, David Thomas, Gerald Finley, Tommy Williams
Academy of Ancient Music Chorus & Orchestra, Christopher Hogwood
Christopher Hogwood makes us realise that for all the constraints, this score isn't inherently small-scale and warrants all the subtlety of colour that can be achieved using 12 soloists and... —
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Vaughan Williams: Symphony No. 7 & Toward the Unknown Region
Catherine Bott (soprano), Roderick Elms (organ)
London Symphony Chorus, London Symphony Orchestra, Bryden Thomson
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Arne: Artaxerxes
Christopher Robson (Artaxerxes), Ian Partridge (Artabanes), Patricia Spence (Arbaces), Richard Edgar-Wilson (Rimenes), Catherine Bott (Mandane), Philippa Hyde (Semira)
The Parley of Instruments, Roy Goodman
Bott gives a masterly performance, with the counter-tenor Christopher Robson also impressive in the castrato title-role, and with Ian Partridge pure-toned and incisive in the role of the villain,... —
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2 CDs
$17.50 -
The English Stage Jig
Musical comedies from the 16th and 17th centuries for the Merriment and Delight of Wise Men and the Ignorant
The City Waites, Lucie Skeaping (director)
These performers are well-renowned for championing the popular music of earlier centuries… the singing and instrumental performances are as genially accomplished as ever with The Waites. —
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The English Orpheus 50 - Orpheus with his Lute
Music for Shakespeare from Purcell to Arne
Catherine Bott (soprano), Rachel Brown (flute)
The Parley of Instruments, Peter Holman