Bayerisches Staatsorchester
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Petrenko has a way of hearing deep into textures and harmonies that is at times really quite startling. He gives us X-ray ears. —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, August 2021, Recording of the Month
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International Classical Music Awards, 2022, Nominated - Symphonic Music
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Gramophone Awards, 2022, Winner - Orchestral
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[Testament is] an evocative, powerful work, incisively played by the Bayerisches Staatsorchester under Vladimir Jurowski. Equally fresh in its impact, Symphony No. 2 is filled with vigorous... —
Awards:
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Presto Editor's Choice, July 2022
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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L'Opéra
Recommendeddeluxe version
Jonas Kaufmann (tenor), Sonya Yoncheva (soprano), Ludovic Tézier (baritone)
Bayerisches Staatsorchester, Bertrand de Billy
Kaufmann is a consummate artist who rethinks everything that he sings…You can almost forgive the hooded, crooner-like tone that [he] favours when his characters are interrogating their souls.... —
Awards:
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Presto Recording of the Week, 15th September 2017
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Presto Recordings of the Year, Finalist 2017
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International Opera Awards, 2018, Nominated - Solo Recital
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L'Opéra
Recommendedjewelcase version
Jonas Kaufmann (tenor), Ludovic Tézier (baritone), Sonya Yoncheva (soprano)
Bayerisches Staatsorchester, Bertrand de Billy
Kaufmann is a consummate artist who rethinks everything that he sings…You can almost forgive the hooded, crooner-like tone that [he] favours when his characters are interrogating their souls.... —
Awards:
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Presto Recording of the Week, 15th September 2017
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Presto Recordings of the Year, Finalist 2017
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International Opera Awards, 2018, Nominated - Solo Recital
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Special offer. Hans Abrahamsen: The Snow Queen
Barbara Hannigan (Gerda), Rachael Wilson (Kay, Katarina Dalayman (Grandmother / Old Lady / Finn Woman), Peter Rose (Snow Queen / Reindeer / Clock)
Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Cornelius Meister, Andreas Kriegenburg
Kriegenburg’s production, cleanly shot by Christoph Engel, suggests it was all in the mind anyway. His is not a show for kids, even if Abrahamsen’s opera might be – getting close to Andersen’s... —
Awards:
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Gramophone Awards, 2022, Winner - Contemporary
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International Classical Music Awards, 2023, Winner - Video: Opera
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Igor Stravinsky/Pyotr Tchaikovsky: Mavra/Iolanta
RecommendedMirjam Mesak (Iolanta), Long Long (Vaudémont), Boris Prýgl (Robert), Markus Suihkonen (King René), Oğulcan Yilmaz (Ibn-Hakia); Anna El-Khashem (Parasha), Freddie de Tommaso (Vassili), Noa Beinart (Mother/Marta)
Opernstudio der Bayerischen Staatsoper, Bayerisches Staatsorchester, Axel Ranisch,...
[Mesak] makes an entirely convincing Iolanta, poised between innocence and experience, and singing with blazing conviction opposite Long Long’s lyrically ardent Vaudémont. —
Awards:
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Presto Recording of the Week, 16th December 2022
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Opus Klassik Awards, 2023, Nominated - Young Talent (Mesak & Ioffe)
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Awards:
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Penguin Guide, Rosette
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Special offer. Hans Abrahamsen: The Snow Queen
Barbara Hannigan (Gerda), Rachael Wilson (Kay, Katarina Dalayman (Grandmother / Old Lady / Finn Woman), Peter Rose (Snow Queen / Reindeer / Clock)
Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Cornelius Meister, Andreas Kriegenburg
Kriegenburg’s production, cleanly shot by Christoph Engel, suggests it was all in the mind anyway. His is not a show for kids, even if Abrahamsen’s opera might be – getting close to Andersen’s... —
Awards:
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Gramophone Awards, 2022, Winner - Contemporary
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International Classical Music Awards, 2023, Winner - Video: Opera
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Special offer. Handel: Alcina
Anja Harteros (Alcina), Vesselina Kasarova (Ruggiero), Deborah York (Oberto), Sonia Prina (Bradamante), Veronica Cangemi (Morgana), John Mark Ainsley (Oronte), Christopher Purves (Melisso)
Bayerisches Staatsorchester, Ivor Bolton
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