Pablo Márquez

Maderna’s objective interventionism is evident in the Webern-like clarity of its interplay between highly differentiated instrumental groups…Pablo Marquez takes on [the solo role] perceptively... — Gramophone Magazine, February 2018More…

The overall feel of their collection is duly nocturnal, with gentler songs and rippling accompaniments providing a gentle listen. Then there’s a haunting ‘Der Leiermann’, the cello breaking... — Gramophone Magazine, January 2019More…

Daroux and Marquez are wonderful advocates for Piazzolla's sophisticated, simmering passions. Their range of tone and expression is beguiling. — BBC Music Magazine, Christmas 2012, 4 out of 5 starsMore…

What most impresses about Márquez's playing is a sweetness of tone that recalls the use of the flesh against gut courses, a relatively free approach to phrasing and a seemingly effortless technique... — Gramophone Magazine, October 2007More…

Márquez is always a thoughtful, imaginative player, as supple as he is subtle, across a wide range of genres and periods from Renaissance to contemporary. Here, however, he is on home turf,... — Gramophone Magazine, May 2015More…

…French cellist Anne Gastinel and Argentinean guitarist Pablo Márquez… bring an urbane and sophisticated yet earthy and sensual quality to the songs and dances of Falla and Granados, as well... — Gramophone Magazine, March 2010More…

Luca Francesconi, born in 1956, has emerged as one of the leading Italian composers of the generation after Berio and Nono. A pupil of Berio and Stockhausen, Francesconi is less well known in... — The Guardian, 30th May 2008, 3 out of 5 starsMore…