Roderick Chadwick
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Sheppard Skærved and Chadwick are scrupulously attentive both to each other and to the detail of the score, never prettifying or normalising, faithful to all the multifarious ways in which Hersch... —
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New. Look How Brightly: Chamber Music by Alex Mills
Jess Dandy (contralto), Roderick Chadwick, CHROMA
With the Chroma ensemble on impressive form throughout, led by the ever-reliable Caroline Balding, the future looks bright indeed for Mills. —
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This is fascinating and fun...The result is entirely convincing with no sense of a point where Grieg ends and Finnissy begins...The transformation is masterly and utterly compelling, as are... —
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an impressive achievement such as warrants urgent investigation. —
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The recordings from Roderick Chadwick and the Kreutzer Quartet are the outcome of lengthy exploration and they could hardly be bettered for commitment or insight. —
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Mihailo Trandafilovski: Polychromy
Peter Sheppard Skærved (violin), Roger Heaton (clarinet), Mihailo Trandafilovski (violin), Linda Merrick (clarinet), Roderick Chadwick (piano), Neil Heyde (cello), Saki Kato (guitar), Hugh Millington (guitar)
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Trandafilovski: Five
Mihailo Trandafilovski (violin), Peter Sheppard Skaerved (violin), Roger Heaton (clarinet), Neil Heyde (cello), Eve Heyde (cello), Roderick Chadwick (piano)
Kreutzer Quartet, New London Chamber Choir, Aidan Oliver
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Gloria Coates: String Quartets Volume 3
Sheppard Skærved (violin), Mihailo Trandafilovski (violin), Morgan Goff (viola) & Neil Heyde (cello), Roderick Chadwick (piano)
Kreutzer Quartet
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Jonathan Östlund: Elysian
Evelyne Bologa Cimoca, Laura Kimmel, Marta Johnson Lettofsky, Patrik Jablonski, Alexander Zagorinsky, Evgeny Brakhman, Roderick Chadwick, Myriam Hidber Dickinson, Natalie Anston-Vermorel, Inga Feter, Serene Yu, Nikita Stepanenko, Martina Bortolotti von Haderburg, Esau Jovane, Peter Sheppard Skærved...
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Special offer. Peter Dickinson: Chamber and Solo Works
Peter Sheppard Skaerved (violin), Roderick Chadwick (piano), Kreutzer Quartet
There are four works for solo violin here, mostly long-lined and rather melancholy. The exception is the 1959 Fantasia, which is characterized by jagged melodic lines and leaping intervals.... —