Nathalia Milstein
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Compositrices: New Light on French Romantic Women Composers
RecommendedThéo Fouchenneret (piano), Tristan Raës, Cyrille Dubois (soloist), Roberto Prosseda (piano), Alessandra Ammara, Ismaël Margain, François Dumont (piano), Anna Agafia, Anaïs Constans (soloist), Marie Vermeulin, David Zobel, Yann Beuron (soloist), Étienne Manchon, Aude Extrémo (soloist), François Rougier...
Although women composers are at last getting more attention, there have been few discoveries as encyclopedic as this. Across eight discs, the legacy of 21 French Romantic composers is explored,... —
Awards:
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Presto Recordings of the Year, Finalist 2023, Box Set of the Year
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International Classical Music Awards, 2024, Nominated - Assorted Programs
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Stravinsky: Le Sacre du printemps, Capriccio & Octuor
Nathalia Milstein (piano), Orchestre Philharmonique de Radio France. Mikko Franck
it’s beauty rather than the beast that you get here...on this showing Franck is more of a sophisticate than he is a primitivist. —
Awards:
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Record Review, 24th September 2022, Record of the Week
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Bedřich Smetana: String Quartets, Piano Trio
Prazák Quartet (string quartet), Nathalia Milstein (piano), Jana Vonášková, Michal Kanka (cello)
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While Hee-Young Lim insists that she plays ‘from the heart’, the results suggest that she and Nathalia Milstein are also thinkers, finding a fresh balance of formality, vulnerability and resilience... —
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Her rendition of Ravel is flexible and individual, in ways that may surprise some listeners, but it is charming and convincing in its own terms, as is her account of the Toccata, which showcases... —
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Sisters Nathalia and Maria Milstein explore the influence of time and place on Ravel’s chamber music. A chronological programme highlights his development superbly, with fine sound and impressive... —
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Saint-Saëns, Debussy, Hahn & Pierné: La sonate de Vinteuil
Nathalia Milstein (soloist), Maria Milstein (soloist)
There’s an intimacy – an instinctive ebb and flow – about the pair’s interplay that makes everything here feel like real chamber music. They charge Debussy’s central Intermède with an intense... —
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Gráinne Mulvey: The Tyndall Effect
Nathalia Milstein (piano), Thérèse Fahy (piano), Isabelle O’connell (piano), Martin Johnson (cello)
RTÉ National Symphony Orchestra, The Hard Rain SoloistEnsemble, Gavin Maloney, Sinead Hayes
Performances are as fearlessly committed as this music necessitates, with sound of unsparing definition and immediacy...It duly adds up to a fascinating, disconcerting but engrossing listen. —
