Latest stories
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Chen Reiss on Fanny Hensel
8th Mar 2022by Katherine Cooper
The Israeli soprano talks to Katherine about her new recording on Onyx showcasing Hensel's under-appreciated gifts as an orchestrator, and why she feels 'it’s about time that we give this composer the stage that she deserves'...
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Cecilia Bartoli - Unreleased
19th Nov 2021by Katherine Cooper
The Roman mezzo is in electrifying form in a programme of operatic and concert-arias by Haydn, Mysliveček, Mozart and Beethoven with the Kammerorchester Basel, recorded back in 2013.
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Ombra Compagna from Lisette Oropesa
7th May 2021by Katherine Cooper
The Cuban-American soprano delivers drama and delicacy in equal measure on this collection of Mozart concert arias, with Il Pomo d'Oro on scintillating form under Antonello Manacorda.
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Lisette Oropesa on Mozart
7th May 2021by David Smith
The Cuban-American soprano talks to David about today's Recording of the Week, Ombra compagna.
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Lise Davidsen in Beethoven, Wagner and Verdi
2nd Apr 2021by Katherine Cooper
The powerhouse Norwegian soprano is in expansive, radiant voice for Wagner’s Wesendonck-Lieder and arias from Fidelio, Otello, La forza del destino, Medea, and Cavalleria rusticana with Sir Mark Elder and the London Philharmonic Orchestra.
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Peter Whelan on The Trials of Tenducci
23rd Mar 2021by Katherine Cooper
The conductor talks to Katherine about his new recording with the Irish Baroque Orchestra, which explores the musical life of mid-eighteenth-century Dublin and the legacy of one of its brightest imported stars - the scandal-hit castrato Giusto Fernando Tenducci.
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Beethoven from Chen Reiss and Matthias Goerne
20th Mar 2020by Katherine Cooper
The Israeli soprano is sparkling and technically fearless in a programme of arias with the Academy of Ancient Music, whilst Goerne's song-recital with Jan Lisiecki is an altogether darker affair.
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Chen Reiss on Beethoven's Women
17th Mar 2020by Katherine Cooper
The Israeli soprano talks to Katherine about her new album on Onyx Classics, Immortal Beloved, which includes music from Fidelio and Egmont as well as some of the composer's earliest vocal works.
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Raphaël Pichon on Libertà!
9th Sep 2019by Katherine Cooper
The French conductor talks to Katherine about recording three 'mosaics' of music which Mozart composed or encountered during the period leading up to his life-changing collaboration with Lorenzo Da Ponte, including extracts from his abandoned operas Lo sposo deluso and L'oca del Cairo, and music by Salieri, Paisiello and Soler.