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Thomas de Hartmann's Esther
24th Apr 2026by Katherine Cooper
De Hartmann's 1946 opera-oratorio about the Biblical queen who thwarts a poisonous courtier's bid to annihilate the Jewish race receives its first complete professional recording courtesy of the Bournemouth Symphony Orchestra and Kirill Karabits, with Corinne Winters in the title-role.
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De Hartmann: Esther
Corinne Winters (Esther), Yuriy Yurchuk (Assuérus), Andrew Foster-Williams (Mardochée), Bernard Richter (Aman), Olga Bezsmertna (Élise), Edwin Crossley-Mercer (Hydaspe /Asaph), Paul Appleby (Chantre), The Grange Festival Chorus, Bournemouth Symphony Orchestra, Kirill Karabits
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Shostakovich from Kirill Karabits, Oleg Tsibulko and the Russian National Orchestra
17th Jul 2020by David Smith
A new recording of Shostakovich's complex 'Babi Yar' symphony with bass Oleg Tsibulko gets to the heart of a work that's often seen as all politics and no emotion.
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Liszt’s Dante Symphony plus a world-premiere recording from Kirill Karabits
24th Jan 2020by James Longstaffe
Kirill Karabits conducts the Staatskapelle Weimar in orchestral works by Liszt, including the world-premiere recording of the Künstlerfestzug zur Schillerfeier.
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Kirill Karabits conducts the world premiere of Liszt's Sardanapalo
8th Feb 2019by Katherine Cooper
Reconstructed by the musicologist David Trippett, the single completed act of Liszt's abandoned opera on a subject by Byron reveals what the composer's son-in-law Wagner described as 'the claw of a lion'.
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David Trippett on Liszt's Sardanapalo
8th Feb 2019by Katherine Cooper
The musicologist and driving-force behind today's Recording of the Week talks to Katherine about the mysterious genesis of Liszt's uncompleted opera, and the process of reconstructing the manuscript for performance.
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Prokofiev from Kirill Karabits
19th Aug 2015by David Smith
David talks to conductor Kirill Karabits about the latest instalment in his Prokofiev series.