Latest stories
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Bart Van Reyn on CPE Bach's Die Auferstehung
14th Jun 2022
The Belgian conductor discusses his new recording of Die Auferstehung und Himmelfahrt Jesu, a passion-oratorio on Christ's Resurrection and Ascension which was conducted by Mozart in the presence of Beethoven and Haydn (and influenced the latter's The Creation).
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Marc-André Hamelin on CPE Bach
17th Jan 2022
The Canadian pianist talks to Katherine about delving into a 'fascinating trove of treasures' for his latest recording on Hyperion - and how CPE Bach turned out to be the first composer whose music he performed in public...
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Marc-André Hamelin plays CPE Bach
31st Dec 2021
The Canadian pianist's Midas touch is everywhere in evidence on this programme of sonatas and rondos, many of which reveal the composer's delight in the new expressive possibilities offered by early pianos.
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Víkingur Ólafsson on Mozart and his Contemporaries
9th Sep 2021
The Icelandic pianist talks to Katherine about his new album exploring 'one of the most incredible decades in any composer's life', and his mission to 'get rid of some my own preconceptions about Mozart by finding out more about the music of his day'.
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Víkingur Ólafsson performs piano music by Mozart and contemporaries
3rd Sep 2021
For his fourth album on Deutsche Grammophon, the Icelandic pianist presents a sublime, intelligent programme of works by Mozart alongside pieces by Haydn, Galuppi, Cimarosa, and CPE Bach.
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Steven Isserlis on CPE Bach and Haydn
25th Sep 2017
The cellist talks to David about his new album of eighteenth-century cello concertos, released earlier in the month on Hyperion.
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CPE Bach Magnificat
10th Feb 2014
To mark the tercentenary of the birth of Johann Sebastian Bach’s fifth (and most prolific) child, Hans-Christoph Rademann directs the RIAS Kammerchor and Akademie für Alte Musik Berlin in a ‘punchy and agile’ account of his first large-scale choral work.
