Latest stories
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Weber’s Bassoon Concerto turns 200!
3rd Aug 2022by Alex Preston
Our in-house Instrument Repairer Alex Preston (also a freelance woodwind player) celebrates 'one of the two titans' of the bassoon concerto repertoire, and selects some favourite recordings.
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Weber's Der Freischütz from René Jacobs
29th Apr 2022by Katherine Cooper
The Belgian conductor's restoration of the original libretto's prologue lends a wonderful symmetry and coherence to Weber's supernatural Singspiel, whilst German actor Max Urlacher is properly spine-chilling in the expanded role of the demon Samiel.
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Weber: Der Freischütz
Maximilian Schmitt (Max), Polina Pasztircsák (Agathe), Kateryna Kasper (Ännchen), Dimitry Ivashchenko (Kaspar), Yannick Debus (Kilian), Matthias Winckhler (Kuno), Christian Immler (Hermit), Max Urlacher (Samiel) Freiburger Barockorchester, Zürcher Sing-Akademie, René Jacobs
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Paul Lewis plays early Schubert and Weber
15th Feb 2019by Katherine Cooper
The British pianist radiates sympathy and imagination in two piano sonatas from the 1810s by young composers who both died before their fortieth birthdays.
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Weber's Der Freischütz from Sir Colin Davis and the LSO
6th May 2013by James Longstaffe
Fresh, full-bodied and raucous when required, the conductor’s final opera recording is a fitting valedictory tribute to a great man, with Christine Brewer on sublime form as Agathe and Simon O’Neill a steely and secure Max.
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Weber: Der Freischütz
Christine Brewer (Agathe), Sally Matthews (Ännchen), Lars Woldt (Kaspar), Simon O’Neill (Max), Stephan Loges (Ottokar/Zamiel), Martin Snell (Kuno), Gidon Saks (A Hermit), Marcus Farnsworth (Kilian), Lucy Hall (Bridesmaids) London Symphony Orchestra & Chorus, Sir Colin Davis