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David Parry on Stanford's Shamus O'Brien
9th May 2024by Katherine Cooper
The conductor discusses his recent recording of Stanford's tuneful 1896 opera, set in the Cork mountains during the Irish Rebellion of 1798 - enormously popular in the early years of its life, the work was withdrawn by the composer in the years leading up to the Easter Rising.
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Stanford: Shamus O'Brien
Brendan Collins (Shamus O’Brien), Gemma Ni Bhriain/Anna Brady (Nora O’Brien), Rory Dunne (Father O’Flynn), Ami Hewitt (Kitty), Andrew Gavin (Mike Murphy), Joseph Doody (Captain Trevor), Catriona Clark (The Banshee), David Parry (Sergeant Cox), Jarlath Henderson (Uilleann pipes) Orchestra of Scottish Opera, Opera Bohemia Voices, David Parry
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Charles Villiers Stanford
28th Mar 2024by David Smith
A selection of some of the best recordings of music by the Anglo-Irish composer - known particularly for his sacred choral music but also a prodigious composer of chamber and orchestral works, songs, part-songs and more.
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Stanford String Quartets from the Dante Quartet
5th Mar 2020by David Smith
David talks to violinist Krysia Osostowicz and musicologist Jeremy Dibble about the final volume in the Dante Quartet's Stanford cycle.
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Stanford Ceremonial Works from Howard Shelley and the Ulster Orchestra
16th Aug 2019by Katherine Cooper
Pomp and circumstance aplenty in A Song of Agincourt and the 'Solemn March and Heroic Epilogue' Verdun, and ethereal magic from the ladies of Codetta chamber choir in Fairy Day.
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Stephen Layton on the choral works of Stanford
2nd Aug 2017by David Smith
Stephen Layton, Director of Music at Trinity College Cambridge, talks to David about his recent disc with the chapel choir.
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Violin Concertos by Stanford and Milford
26th May 2014by David Smith
David listens to Rupert Marshall-Luck’s performances of two unusual violin concertos, on the independent EM Records label.
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I was glad: Sacred Music by Stanford & Parry
28th Jan 2013by Katherine Cooper
Robert King and his Consort present lavish orchestrations (on period instruments) of Parry’s Te Deum, I was glad, Blest Pair of Sirens and Jerusalem, and four of Stanford’s canticle settings, with Carolyn Sampson and David Wilson-Johnson as soloists.