Hitchcock & Herrmann
The Friendship & Film Scores that Changed Cinema
- Author: Smith, Steven C.
This is an engrossing deep dive into their relationship and the events that led to their bitter parting. Smith paints a picture of two trailblazing artists who found in each other kindred spirits,...
Hitchcock & Herrmann
The Friendship & Film Scores that Changed Cinema
- Author: Smith, Steven C.
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This is an engrossing deep dive into their relationship and the events that led to their bitter parting. Smith paints a picture of two trailblazing artists who found in each other kindred spirits,...
About
This is the story of the game-changing collaboration between director Alfred Hitchcock and composer Bernard Herrmann, who channelled their inner fears and desires into films that would become the nightmarish narratives and soundtracks of our lives.
The 11-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann: The Friendship and Film Scores that Changed Cinema, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Smith draws on four decades of research, including previously unpublished documents and new interviews, to deliver a riveting account of what made the teaming of "Benny and Hitch" so memorable and influential — and why it came to a bitter end.
Their story involves the tumultuous changes in Hollywood from the mid-1950s to mid-1960s, as the collapsing studio system gave way to independent, counterculture filmmaking. It also involves the key figures in Hitchcock and Herrmann's inner circle including the director's gifted wife and most valued critic, Alma Reville; Herrmann's beautiful, put-upon spouse, Lucy Anderson; and talent agent-turned-studio mogul Lew Wasserman. Wasserman's negotiations made Hitchcock's greatest filmmaking period possible, but over time Lew's commercial instincts as head of Universal Studios clashed with Herrmann's pure artistic vision.
Hitchcock and Herrmann is both a deeply researched historical study and a fast-moving, cinematic narrative — one that puts readers on the film sets and scoring stages of Hitchcock masterworks. Their collaboration ended in a bitter break; but today Herrmann's pulse-quickening music has become the soundtrack of our own anxious times. The music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. In Smith's expert telling, readers get an an intimate look at two legendary creators who, despite seemingly opposite personalities, found in each other artistic completion.
Contents
- Prelude
- 1. Shadows of Doubt
- 2. Troubles with Harry
- 3. The Team that Knew So Much
- 4. Wronged Men
- 5. I Want You So to Love Me: Vertigo, Part One
- 6. We'll Just Have the Camera and You: Vertigo, Part Two
- 7. On the Rocks
- 8. Something Terrible is Going to Happen: Psycho, Part One
- 9. The Real Psycho Theme: Psycho, Part Two
- 10. Electronic Assassins
- 11. Murder by Television
- 12. Torture the Women: Marnie
- 13. The Curtain Falls, Part One
- 14. The Curtain Falls, Part Two
- 15. Coda: Hitchcock's Secret
- Acknowledgments
- Notes
- Selected Bibliography
- Index
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Awards and reviews
This is an engrossing deep dive into their relationship and the events that led to their bitter parting. Smith paints a picture of two trailblazing artists who found in each other kindred spirits, but whose paths would ultimately go in different directions…A colourful and occasionally rather moving account.
[R]arely has film criticism seen a more perceptive and nuanced examination of the details of how the musical score can reinforce, uplift, or - most importantly - mend imperfections in a film. A marvelous look at a legendary collaboration, and a testament to the power of music in film
Smith’s love for Herrmann’s music is most enthusiastically conveyed, getting to the heart of what makes these scores so effective...[his] account of the final days of both men is quite moving, bringing to an end a captivating account of the extraordinary friendship and film scores that did indeed change cinema. - James Longstaffe


