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Hitchcock & Herrmann

The Friendship & Film Scores that Changed Cinema

  • Author: Smith, Steven C.
This is an engrossing deep dive into their relationship and the events that led to their bitter parting. Smith paints a picture of two trailblazing artists who found in each other kindred spirits,...

Hitchcock & Herrmann

The Friendship & Film Scores that Changed Cinema

  • Author: Smith, Steven C.

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This is an engrossing deep dive into their relationship and the events that led to their bitter parting. Smith paints a picture of two trailblazing artists who found in each other kindred spirits,...

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This is the story of the game-changing collaboration between director Alfred Hitchcock and composer Bernard Herrmann, who channelled their inner fears and desires into films that would become the nightmarish narratives and soundtracks of our lives.

The 11-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann: The Friendship and Film Scores that Changed Cinema, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Smith draws on four decades of research, including previously unpublished documents and new interviews, to deliver a riveting account of what made the teaming of "Benny and Hitch" so memorable and influential — and why it came to a bitter end.

Their story involves the tumultuous changes in Hollywood from the mid-1950s to mid-1960s, as the collapsing studio system gave way to independent, counterculture filmmaking. It also involves the key figures in Hitchcock and Herrmann's inner circle including the director's gifted wife and most valued critic, Alma Reville; Herrmann's beautiful, put-upon spouse, Lucy Anderson; and talent agent-turned-studio mogul Lew Wasserman. Wasserman's negotiations made Hitchcock's greatest filmmaking period possible, but over time Lew's commercial instincts as head of Universal Studios clashed with Herrmann's pure artistic vision.

Hitchcock and Herrmann is both a deeply researched historical study and a fast-moving, cinematic narrative — one that puts readers on the film sets and scoring stages of Hitchcock masterworks. Their collaboration ended in a bitter break; but today Herrmann's pulse-quickening music has become the soundtrack of our own anxious times. The music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. In Smith's expert telling, readers get an an intimate look at two legendary creators who, despite seemingly opposite personalities, found in each other artistic completion.

Spotlight on this product

  • Hitchcock & Herrmann - The Friendship & Film Scores That Changed Cinema

    13th Mar 2026by James Longstaffe

    In the first of a new monthly series reviewing books on music, we take a look at Steven C. Smith's recent examination of the remarkable relationship between Alfred Hitchcock and Bernard Herrmann, which began in 1955 with The Trouble with Harry and ended abruptly and acrimoniously in 1966 when Hitchcock rejected Herrmann's score for Torn Curtain, taking in celebrated collaborations such as Psycho, North by Northwest, and Vertigo along the way.

Awards and reviews

This is an engrossing deep dive into their relationship and the events that led to their bitter parting. Smith paints a picture of two trailblazing artists who found in each other kindred spirits, but whose paths would ultimately go in different directions…A colourful and occasionally rather moving account.

[R]arely has film criticism seen a more perceptive and nuanced examination of the details of how the musical score can reinforce, uplift, or - most importantly - mend imperfections in a film. A marvelous look at a legendary collaboration, and a testament to the power of music in film

Smith’s love for Herrmann’s music is most enthusiastically conveyed, getting to the heart of what makes these scores so effective...[his] account of the final days of both men is quite moving, bringing to an end a captivating account of the extraordinary friendship and film scores that did indeed change cinema. - James Longstaffe
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