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Musical Emotions Explained

Unlocking the Secrets of Musical Affect

  • Author: Juslin, Patrik
Musical Emotions Explained
Juslin connects music and emotion to all manner of other human processes (e.g., learning, memory, perception) and, most strikingly, to aesthetics. The author's direct engagement with aesthetic...

Musical Emotions Explained

Unlocking the Secrets of Musical Affect

  • Author: Juslin, Patrik

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Book – Hardback

$77.50

Printed on demand: estimated despatch time 7 - 10 days

Juslin connects music and emotion to all manner of other human processes (e.g., learning, memory, perception) and, most strikingly, to aesthetics. The author's direct engagement with aesthetic...

About

Can music really arouse emotions? If so, what emotions, and how? Why do listeners respond with different emotions to the same piece of music? Are emotions to music different from other emotions? Why do we respond to fictional events in art as if they were real, even though we know they're not? What is it that makes a performance of music emotionally expressive?Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. Within the book, Juslin demonstrates how psychological mechanisms from our ancient past engage with meanings in music at multiple levels of the brain to evoke a broad variety of affective states - from startle responses to profound aesthetic emotions. He also explores why these mechanisms respond to music.

Written by one of the leading researchers in the field, the book is richly illustrated with music examples from everyday life, and explains with clarity and rigour the manifold ways in which music may engage our emotions.

Awards and reviews

Juslin connects music and emotion to all manner of other human processes (e.g., learning, memory, perception) and, most strikingly, to aesthetics. The author's direct engagement with aesthetic judgment helps lift the book from something like an impressive compendium (a list of references runs 45 pages) to something much grander and more important. That the writing is consistently friendly and personal, never clinical, is somewhat surprising. Through some magic discussion remains accessible to almost any mature reader, even as the author marches through his argument with remarkable precision. The book could prove especially useful to musicians and might prompt them to think differently about what they do
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