In this expansion of her doctoral dissertation, Wells (Mount Allison Univ., Canada) explores West Side Story in terms of musical and cultural expression. She begins with an account of the show from its inception to its Broadway opening. She next considers Leonard Bernstein's musical score and then discusses ethnic (primarily Hispanic) issues, gender relationships, and juvenile delinquency as revealed in the show. Finally, she writes of how perceptions of the work have changed over time. Wells's approach is broader than Nigel Simeone's in Leonard Bernstein: West Side Story (CH, Jun'10, 47-5555), which emphasizes the composer's contribution; thus the two works complement each other well. Both join Keith Garebian's The Making of West Side Story (1995) in providing in-depth treatment of this major Broadway musical. Numerous illustrations and musical examples enhance the text. Wells demonstrates command of the subject through her excellent documentation and bibliography. However, neither Wells nor Simeone provides major discussion of the film made from the musical, a subject that cries out for consideration. Summing Up: Recommended. Performing arts and large academic collections

West Side Story is such an iconic musical it's difficult to believe that, as Wells points out in her illuminating study, it could have been an unmitigated disaster. As originally conceived by choreographer Jerome Robbins with a script by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim, it was meant to be an exploration of anti-Semitism; a modern-day adaptation of Romeo and Juliet with warring Catholic and Jewish street gangs. Although the Jewish plot was dropped in favor of Puerto Rican gang members, it was still the creation of four 'privileged' Jewish American men who, as Sondheim notes, 'had never even met a Puerto Rican.' What's more, it featured no stars. Consequently, very few people thought the show had a chance on Broadway, and therefore it failed to attract investors. Both scholarly and entertaining, Wells explains in great and fascinating detail how West Side Story became one of the most successful musicals of the twentieth century and beyond, and, more importantly, why it made an indelible mark on American culture. One of the great ironies of the story, she observes, is that the score was thought to be 'unsingable' by Columbia Record executives. A must for serious fans of Broadway musicals